It hasn’t quite fully clicked yet, the story for ‘Order For Burning’ remains a little bit incomplete but I think I’ve got the characters down at least. This is good step forward for now at least. Hopefully by the end of today (if I can actually stop writing this) I’ll blaze the first five pages. As explained in previous entries of Howling In The Dark I usually set about writing the first five pages of any feature script before I’ve planned most of the long term stuff out. That way, when you finally do finish planning you’re not looking at a blank screen because you’ll have already got a head start. Also, the start of any project usually means the anxiety of where to go with this scene or how a character would say that line hasn’t yet kicked in. I go in dumb just wanting the first five minutes to be brilliant. If it grips me and wants me to write the rest then, in theory, the audience will be griped and want to know the rest.
Mind you, I’m speaking as a guy who has never had a feature script made. Bear that in mind before taking any of my advice seriously.
One major dilemma I’ve faced in the run up to getting ‘Order Of Burning’ off the ground has been the battle between sticking to historical detail and getting a good story. In the actual events as far as I can tell there were originally eleven women found guilty of witchcraft around Dumfries at the time. One killed herself in her cell and another, Helen Tait, somehow got away with it. She was never executed, only sentenced to fifty ‘merks’ and banished from the region never to return. The main question I would have is how she achieved this. How exactly did she defy the usual crowd mentality and live to tell the tale (assuming she’d want to go around telling people she was accused of being a witch after that, I’d probably assume she’d want to keep her head down)? The records are not greatly clear in giving any detail on what happened so I could use artistic license to fill in the blanks or strive to find out.
Helen is one of my main characters, simply on account of her surviving all this makes her very valuable to our story in that it won’t be just a case of everybody going to die. She is the hope, she is the exception to the rule and as such she is front and centre in the current plan. I’m picking another one of the group to concentrate on and stopping there as any more would be a major headache to keep balanced.
If that’s the story based most in the reality of the situation then I’m also writing my own characters into a parallel story concerning a young man being trained by the Church as a ‘prodder’ to extract confessions from suspects, usually by the means of torture. Obviously, at one point these two strands will almost certainly cross over.
If you’ll excuse me, I’m off to start a document file entitled ‘Order For Burning’ and stare at the screen for a few minutes.