Tied To The Traintrack

The first five minutes are down on paper (well, on computer file because I’m all modern like that). It’s a terrible read, the dialogue is clunky and my main witchfinder might as well have a handlebar moustache he twiddles considering how evil I’ve made him. Obviously if you’re going to be tieing up people to massive sticks in the ground before setting them alight then you might be of bad intent but it’s bordering on panto at the moment. I now need to get a scene by scene together with details of every segment and why it’s there. After that the process is fairly straight forward.

In theory.

Probably best of with nothing like this.

Probably best of with nothing like this.

The only other piece of news yesterday came in the shape of Alphabet Pictures rejecting ‘The Salesman’s Gamble’. Sadly, after a couple of rewrites they cannot see a way of making it into something they would want to direct. I send a reply thanking them for the time they’ve spent on it already. I’ve worked with these people before. they got me to Cannes and they know what they’re doing so I’m not about to argue the bit with them. It’s certainly a knock but hardly a serious one. I move on.

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