Fearing The Reaper

I’m in bed as Storm Henry is battering the house (and pretty much the entire of Scotland by the sounds of it). My wife is on a nightshift so the cat has decided to place himself where she would usually be. My Son finally fell asleep around 10:30pm. I have to be upstairs with him tonight because it’s part of his procedure for somebody to be there for him. Being downstairs somehow doesn’t count.

I have my notebook however and I’ve been writing the outline for the script over and over again. I had planned to spend last week, which I had booked off work, writing solid scenes and having half half the thing finished simply from bring able to spend hours each day on it.

I am still planning. Still marking up diagrams. Still changing details.

It’s not usually like this. I’d be writing it by now and probably grinding my teeth through draft one. Here’s the problem I’ve had and I’d appreciate your thoughts on this one.

When does a concept become a story?

I have my stranded astronaut who wakes up to find that mission control are reporting the shuttle has left for Earth with her on board. She tries to radio home to say this is impossible as she’s still there. They take no notice. Soon they will shut down the oxygen and power to the base. Our astronaut is in a blind panic, what can she do?

One voice cuts through the static.

“I believe you” it says.

As hard as it is for me to admit, this is a concept. It’s the blurb on the back of the DVD. I’m trying to build this up to be a story and failing a lot. She has an obvious goal in wanting to get home but how does she take steps to carry this out? I find myself with a great five minutes but nothing else to fill the other eight five minutes plus.

And it’s gnawing at me.

Because I should be better at this.

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One thought on “Fearing The Reaper

  1. carlamcgill says:

    No advice here, but I like the combination of the storm and your protagonist being in dire straits!

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